The People, Counted: Browse Raw Census Records at the Internet Archive

The U.S. Census has been in the headlines lately, as proposed changes to the 2030 count have sparked debate over who gets counted and what information should be recorded as part of that process. Few government records say more about a democracy than the census, the once-a-decade count that decides who is represented in Congress, which makes it a natural fit for Democracy’s Library, the Internet Archive’s effort to make government information freely available to everyone. Thanks to the Allen County Public Library, the Internet Archive holds the U.S. Census collection. This collection contains digitized microfilm of the United States federal population census, 1790 to 1930 (minus the lost 1890 Census), and including the Indian Census rolls of 1885 to 1940, which were compiled by the Bureau of Indian Affairs.

The 1930 U.S. Census

The evolution of the U.S. Census

The United States Census is one of the few institutional structures that was written into the Constitution, with Article I, Section 2 specifying that an “actual Enumeration” would be made every ten years in order to divide seats in the House of Representatives and direct taxes among the states. 

Since the first census which took place in 1790, the modes and methods of the decennial enumeration have evolved over time. The first census recorded only six things: the name of the head of household, and for that household the number of free white males 16 and older, free white males under 16, free white females, all other free persons, and enslaved people. Over time other changes were made, including expanded age brackets (1800), questions about occupation, counting foreign residents who had not naturalized (1820), and a failed experiment recording the status of  “insane and idiotic” people (1840). 

The 1850 census is considered the first professional census and was the first time every free person was listed by name, rather than just the head of household. It recorded each person’s age, sex, color, birthplace, and occupation. In 1850 and 1860 enslaved people were recorded on a separate schedule without names, only by age, sex, and color, under their enslaver’s name. Other racial categories were added over time: mulatto (1850), Chinese (1870), and Mexican (added in 1930, dropped in 1940). In 1970 the census shifted from from door-to-door interviews to mailed forms that people filled out themselves. In the interview era, enumerators usually recorded race based on their own observation, whereas with mail-in forms, people identified themselves.  The ethnicity (rather than race) “Hispanic” first appeared on the 1970 sample form and moved to every household in 1980. For the 2030 census there have been plans to combine race and Hispanic origin into one question and add a Middle Eastern or North African category.

Before 1880, the census was run by U.S. marshals and their assistants – after that point the Census Office, as it was known, became more professionalized with “enumerators” recording data. As questions and data became more elaborate, processing time also increased. The results from the 1880 results took most of the decade to tabulate. In 1890 the census adopted an electric punch-card tabulating machine, which cut processing time dramatically. Sadly, most of the 1890 population schedules were destroyed in a 1921 fire. For its first century, the census was a temporary office staffed up every ten years and then disbanded. That changed in 1902, when Congress made the Census Office permanent. Over the years, the agency has moved from the Department of State to the Department of the Interior and now rests within the Department of Commerce. 

During World War II, the agency gave the government data to help locate Japanese Americans for forced removal and incarceration. Title 13 of the U.S. Code now makes individual responses confidential, and a separate rule keeps records sealed for 72 years.

The Census has been much in the news recently, largely due to proposed changes to the 2030 Census, including removing questions on race and ethnicity (including those that have been recently proposed) and leaving noncitizens on temporary or other non-permanent status.out of the census enumeration exercise. The Bureau would also use tax records to help determine where people usually live, which could mean people who don’t file taxes would not be counted regardless of citizenship status. The proposed exclusion would impact the count used to apportion seats in the U.S. House of Representatives. 

The U.S. Census on the Internet Archive

Looking at the material in this collection is fascinating – you can see the shift in questions asked, the expansion of states and territories covered by the census as the nation grew, and every individual listed by name from 1850 on.  Because of the interest in these materials, and the challenges in searching handwritten historical documents, we have included a search tips page for this collection. We invite you to explore this collection – it may help you answer a question about your family, your community, or simply satisfy your curiosity about how the U.S. Census has evolved over time.

Internet Archive to Demo Wayback Machine at Friday’s Uniqlo Street Festival

The Internet Archive is joining other area nonprofits for the Uniqlo Street Festival on Friday, October 9, 2026, alongside the opening of Uniqlo’s new flagship store on Market Street. We’ll be set up with fellow San Francisco nonprofits Gray Area and the Exploratorium to help bring people and energy back to a part of the city that has sorely missed shoppers and foot traffic. We’ll be demoing the Wayback Machine, handing out stickers, and talking with attendees about digital preservation.

“Libraries have always found interesting ways to get in front of new audiences. More people than ever need to know about the valuable service of the Wayback Machine and why our digital culture should be preserved. People may be aware of the Internet Archive, but may not realize that we are also a San Francisco organization. This gives us an opportunity to meet with people in our community during this event,” said Merrilee Proffitt, director of Democracy’s Library US at the Internet Archive, who will be at the booth on Friday. “Plus, to be honest, I think many of us have a Uniqlo hoodie or two in our closets.”

This isn’t an entirely new kind of partnership for libraries: earlier this year, the New York Public Library began a year-long partnership with Uniqlo supporting free cultural and youth programming, alongside the opening of Uniqlo’s Bryant Park store, as well as a planned series of literary events around San Francisco hosted by the Friends of the San Francisco Public Library.

If you’d like to invite the Internet Archive to participate in your community street fair, reach out to our events coordinator at info@archive.org.

Who Is Government Information For? Information Stewardship Forum 2026 Report

Democracy’s Library exists as a project of the Internet Archive to make government publications and information broadly accessible and available. But Democracy’s Library is about more than collections – it is also about building community. 

In March 2026 the Internet Archive hosted the Information Stewardship Forum, a three-day convening that brought together 120 people working to preserve and provide access to United States government information. Participants came from libraries, archives, journalism, research, policy, philanthropy, nonprofits, and technology, and represented federal, state, and local parts of the government information ecosystem. We spent three days together discussing shared challenges and solutions as well as building community and connections.

We are pleased to share that a report from the event is now available. The report documents the methods used to design the meeting, what we heard, and shares results from the post event survey. 

What we heard

  • There are many efforts, but no common map. Libraries, journalists, technical teams, and community groups are all doing serious work, but no one holds a full picture of what exists, what has been saved, and what is already gone.
  • Stewardship is more than storage. Bytes can survive while public access disappears. Metadata, documentation, interfaces, and sustained human expertise are part of preservation.
  • This work must evolve from emergency response to durable infrastructure. Rescue work has been indispensable and is also unsustainable. Triage can’t substitute for the maintenance.
  • While policy exists, enforcement and access do not. Records laws are on the books, yet information still gets removed, obscured, trapped in unusable formats, or placed behind paywalls. Web harvesting restrictions aimed at AI crawlers can also block public interest archiving.
  • Who is government information for? Local government records, climate data, health data, and disaggregated data that lets communities see themselves in the record were all named as especially vulnerable. Broadening participation beyond specialists was a recurring call.

What participants told us

Responses to the post-event survey were very positive:

  • 93% said the Forum strengthened connections across organizations
  • 89% identified opportunities for collaboration or shared initiatives
  • 83% learned about tools, workflows, or preservation methods used by others
  • 98% planned to stay in contact with people they met
  • Roughly 20 respondents described a specific collaboration or initiative they intended to pursue

Democracy invites participation; democracies require it.

One concrete outcome of the Forum is Preservation of Government Information: A Call to Action, which argues that public access to government information cannot be left to chance. Individuals and organizations are invited to sign in support.

Coming together in community and common purpose helps to drive our work forward. We hope you will plan to join us at our upcoming event, Democracy’s Library: Tools for Participation which will take place at the Internet Archive Headquarters and online on Wednesday, October 21, 2026. We will celebrate what we have accomplished and look to continue this work together. 

Internet Archive to Honor Poynter Institute and Investigative Reporters and Editors with 2026 Hero Award for Preserving Local News Online

The Internet Archive is proud to announce that the Poynter Institute and Investigative Reporters and Editors (IRE) will receive the 2026 Internet Archive Hero Award for their leadership in preserving local news online.

The Internet Archive Hero Award recognizes individuals and organizations that have demonstrated leadership in making information available to people around the world. The Poynter Institute, a 50-year-old nonprofit that works to strengthen journalism and train journalists, and IRE, a member-driven nonprofit that has spent 50 years helping journalists do better investigative work, have made preservation a vital part of their work.

Local journalism is the first draft of history, and often the only record of what happened in a community. But as news increasingly moves online, that record is at risk. Stories can disappear when a newsroom closes, a website changes platforms, or digital archives are neglected. At the same time, major news publishers and media organizations are restricting access to web archiving tools like the Wayback Machine, making it harder to preserve the journalism being published today.

Poynter and IRE are taking a different approach. In partnership with the Internet Archive, they are helping newsrooms understand the importance of digital preservation and giving journalists the tools and training they need to protect their work for the future.

Through the national initiative Today’s News for Tomorrow, the three organizations are working to train hundreds of newsrooms in digital preservation and provide access to Internet Archive’s web archiving and preservation services. The program recognizes that preserving local journalism cannot be left to chance: The people creating the news need to be part of preserving it.

The Internet Archive Hero Award is an annual award that honors those who have exhibited leadership in making information available for digital learners all over the world. Previous recipients have included Sir Tim Berners-Lee, the island nation of Aruba, public information advocate Carl Malamud, copyright expert Michelle Wu, and the Grateful Dead.

The 2026 Internet Archive Hero Award will be presented during the Internet Archive’s annual celebration on October 21 in San Francisco. Join the celebration either in-person or online.

100+ Years of Student Radio History in the DLARC College Radio Collections

2024 KUSF College Radio Day Zine cover

Happy College Radio Day! In honor of the annual celebration of student radio (this year on October 2), we invite you to explore the college radio collections in the Internet Archive’s Digital Library of Amateur Radio and Communications (DLARC). Some of the latest additions include materials that shed light on college radio’s earliest days.

College Radio Club Launches at Harvard in 1906

In the first decade of the 20th century, radio clubs started to form on college campuses. In 1906, students at Harvard University offered to send wireless messages across “the yard” as part of the activities of the Weld Phonepterograph Company, which founder Robert Gowen described as “the first college radio club” in a 1923 article for Radio News. Robert Rydzewski digs into the story of this largely forgotten club at Harvard in a 2023 article for The Antique Wireless Association Review, which can also be found in DLARC. Other clubs followed and while they focused primarily on what we think of as amateur or ham radio, these groups were also responsible for some of the first student-created radio broadcasts and student-built college radio stations in the 1920s.

Radio News, September 1923

Radio Clubs and Broadcast Experiments in the 1920s

Recently added items to DLARC from the archives of the Dartmouth College Radio Association help to tell the early story of college radio. By June 1920, the club operated amateur station 1YB, hosted guest lecturers on radio-related topics, and ran code classes. In 1924, licenses were obtained for both an experimental station and a commercial broadcast station (WFBK). Located in the Wilder Physics Laboratory, WFBK’s brief time on the air included reports from sporting events and performances by campus music groups. A newspaper account at the time explained that a radio communication class utilized the broadcast station’s facilities for sending and receiving Morse code messages as well.

Circa 1940 QSL card from Dartmouth College Radio Association. Source: Dartmouth College, Radio Club [Dartmouth Amateur Radio Association] records, DO-5, Rauner Library Archives and Manuscripts

Newly added materials from The Milwaukee School of Engineering represent the wide range of radio-related activities at the school, including courses, amateur radio stations, and broadcast radio (beginning in the early 1920s). Within the Milwaukee School of Engineering Amateur Radio collection, there are clippings from campus publications, QSL cards, and construction plans for a “high grade radio-phone.” The Milwaukee School of Engineering Radio Stations collection contains items related to broadcast stations on campus, including current station WMSE-FM and its predecessors WIAO and WSOE. Gems in the collection include WMSE metal charts from the 1980s, which reported on airplay for new music releases from bands like Slayer, Megadeth and Anthrax.

WMSE Metal Chart showing top airplay from March and April 1987. Source: Milwaukee School of Engineering Archives

New Additions to Campus Radio Collections

While perusing the DLARC College Radio collection, one can see the trajectory of college radio, especially as campus-only carrier current transmissions became more common throughout the 1940s and 1950s. By this point, we see separate student organizations devoted to either amateur radio or college radio of the broadcast variety, although at times, the clubs might collaborate on technical projects. The Duke University Radio collection contains many article clippings and photos of student station WDBS from the 1950s as well as ephemera from short-lived dorm-based WDUK. More recent items include show flyers from currently operating station WXDU.

Poster from the files of Duke University’s college radio station WXDU.

Additionally, contributions to the Vanishing Culture GoFundMe campaign allowed our scanning team to digitize college radio collections from the archives at Amherst College, Middlebury College, and The College of William & Mary. With materials from stations dating back to the 1940s and 1950s, these collections contain documentation that paints a picture of the ever-changing student radio scene. Handmade posters, DJ manuals, correspondence, program guides, studio notebooks (with scribbled comments written by DJs) and scrapbooks are rich sources of information about the management and activities of each station, as well as offering a look at how stations interacted with each other.

The DLARC College Radio collection can be viewed at archive.org/details/collegeradio. Materials from college-based amateur radio stations can be found within the collection at archive.org/details/collegiate-amateur-radio.

The Digital Library of Amateur Radio & Communications is funded by a grant from Amateur Radio Digital Communications (ARDC) to create a free digital library for the radio community, researchers, educators, and students. DLARC invites radio clubs, radio stations, archives and individuals to submit material in any format. To contribute or ask questions about the project, contact: Kay Savetz at kay@archive.org. Questions about the college radio sub-collections can be directed to Jennifer Waits at jenniferwaits@archive.org.

Every Night Is Different: Ryley Walker on Preserving Live Music

Ryley Walker says he’s flattered when people tape his live performances and post them on the Internet Archive. If he knows ahead of time, the 37-year-old singer-songwriter often puts their name on the guest list and invites them early for a sound check.

“I love when people come — either as a hobbyist or a professional — to record the show and make it available for everybody else to hear,” says Walker of his experimental/folk music. “My live shows have always been a bit dynamic with a lot of improvising. So, there’s different approaches every night to the music, and it’s cool that’s documented.”

Walker has 95 shows preserved on the Internet Archive dating back to 2017. The recordings are part of the Live Music Archive, a collection built over the past 20 years by volunteers and Internet Archive staff that now tops 300,000 recordings from more than 9,000 artists.

[See Walker’s online collection and his personal website]

“I don’t think taping the show and putting it on the internet for someone to listen to for free is like a lost sale or anything,” Walker said. “It’s been a net positive.” Indeed, the Los-Angeles based musician said the online exposure has attracted new fans.

“It’s amazing what the Internet Archive is able to do. I’m really encouraged by people using it to get the music out there — and it’s all a labor of love,” Walker said. “I hope the trend continues to grow.”

In his own creative process, Walker said he’s found the resources on the Internet Archive useful — whether reviewing his own performances or listening to shows by his favorite artists.

“I’ve discovered there’s a lot of great recordings from tons of different artists,” Walker said. “It’s just a treasure trove that never really stops.”

Walker said he’s gotten to know the personality of the different tapers and recording engineers and admires their work. “They’re real music fans. They keep it alive,” he said. “I’d rather the music get distributed in that way than through some company with a bunch of investors.”

Music is a passion for Walker, he said, and he isn’t bothered by someone freely sharing his work. “I don’t believe in stopping anybody from doing what they want to do to express themselves creatively,” he said. “This is a form of creative expression to show up at a show and tape it.”

Over his 15-plus-year career, Walker has released more than a dozen albums on various labels. He has a new single, “Carrier” coming out September 29 on AD 93, a record label based in London. Walker said he uses computers now to make his music, and the song is a departure from his earlier work. “It’s a very different sounding record, and I’m ecstatic about it,” he said. “It’s a welcome pivot in my creativity.”

The single is from a record that will be announced later in 2026.

In August, Walker performed a virtual concert for the Internet Archive at their staff meeting and relayed his gratitude for the organization and its mission.

Through the Internet Archive, music can be preserved for people to enjoy it in all parts of the world, Walker said:  “I can play a show in Fort Collins, Colorado, and somebody in Saint Petersburg, Russia, could hear it the next day. I really appreciate it.”

An Update on Wayback Machine Access

We’ve heard you: “Fix the Wayback Machine!”

Here’s what’s going on. The Internet Archive’s Wayback Machine has been hit by waves of high-volume automated traffic, and we’ve put protections in place to keep the service running. One recent change: we rewrote the message you see when a request is blocked with a 429 error — the HTTP code that means “too many requests.”

Those protections sometimes catch real people by mistake. If that’s happened to you, we’re sorry, and we appreciate your patience while we work to reduce the errors.

We’re getting better at telling abusive bots apart from the people who depend on the Wayback Machine every day. If you think you were blocked in error, email info@archive.org with your operating system, browser, and IP address, and we’ll look into it.

Negativland, Culture Jamming, and the Art of Making Something New

In 1980, Negativland released its first self-titled album with handmade covers and distributed it through a few record stores in the California Bay Area.

“We thought we might sell 100 in the next five years, and we sold all 500 in three months. So we kept going,” said band co-founder Mark Hosler of the experimental sound collage record, which eventually sold 15,000 copies. “We were shocked that people were interested in something so strange.”

Hosler started the group with David Wills and Richard Lyons, but the Negativland lineup has changed, and the range of its work expanded over 46 years.

The multimedia collective has produced more than 30 albums and EPs, as well as fine art, books, radio and live performances that mix found and original  material. The band came up with the phrase “culture jamming” to describe its approach to layering art from various sources..  

Negativland continues to innovate and perform, collaborating remotely. Its live show, Over The Edge: Significantly Less Deceptive, at the Internet Archive’s San Francisco headquarters on September 16, will combine sound, music, radio, humor, and sonic experimentation. Hosler, who lives in North Carolina, will be on stage with San Francisco’s Jon Leidecker (“Wobbly”), a collaborator with the band since 1985, while Wills contributes by phone from his home in Seattle.

Negativland Live at Internet Archive
September 16, 2026. Doors @ 6pm / Show @ 6:30pm
Read the review of the show from KQED.

Negativland has been influential in the remix space. It has challenged conventions around media, copyright, and artistic freedom. Hosler said the band wanted to carve a space to talk back to power through its audio collage art.

“The thread that goes through all of our work is that we are always responding to and describing American culture,” Hosler said. “It’s our perceptions of power, money, capitalism, who runs things, who’s in control and how the media works. We are creating this alternate, weird, parallel universe version of reality as we perceive it.”

Fair Use and Preservation

The group was thrust into the limelight when it released a record poking fun at, and sampling from,  the U2 song, “I Still Haven’t Found What I’m Looking For.”  The Irish band and their label sued Negativland for copyright infringement, trademark infringement, and defamation of character in 1991 and, with Negativland’s  “U2” record having been released by the label SST Records, the group reluctantly settled.

Negativland used the episode and attention from the media to highlight the need for copyright reform. It shared the story of its legal battle and argument for the right to make new art out of corporately owned culture in the 1995 book, Fair Use: The Story Of The Letter U And The Numeral Two. The book led Hosler to give more than 140 lectures about appropriation, corporate ownership and the intersection of art and law at schools and universities around the world.

In 2015, the Internet Archive partnered with Negativland to preserve and provide free public access to more than 4,000 hours of Over The Edge, the group’s legendary weekly freeform radio program that has aired since 1981. Don Joyce, a collaborator with Negativland for years until his passing in 2015, was a driving force behind the program. It is now hosted by Leidecker (“Wobbly”) at KPFA in Berkeley. The first 34 years of radio shows are archived and freely available at the Internet Archive to listeners around the world.

Performing for ‘Oddballs’

National Public Radio featured Negativland in its Tiny Desk (Home) Concert series in May 2021.

The members of Negativland have been fluid over the years and most balance their contributions with day jobs. They don’t include photos with their faces on albums. “We really want to direct attention to our work, not to us as personalities or individuals,” Hosler said. In addition to the core group, there are people who help with videos, website design and other aspects of the art that are integral to the work, he added.

In 2022, Ryan Worsley used years of the band’s audio and video footage to produce the film, Stand By for Failure: A Documentary about Negativland

Hosler said the band always knew its audience would be small, but the members were motivated to invent something out of the box. He said he assumes fans are thoughtful, curious and have a sense of humor.

“When we perform shows, a lot of our audience seems like people who don’t even fit in with the people who don’t fit in,” Hosler said. “That’s cool. Our live shows are sort of a safe space for people who are just real oddballs.”

Negativland’s work encompasses sampling music, but also photography, visual arts, graphics, art shows and live, improvisational performances. Its work has adapted to the evolving technology of the past four decades. Hosler said a creative impulse drives the collaborators to keep innovating and sharing their work with the public.

“For many years when critics would write about Negativland, they just couldn’t describe it very well. From a marketing standpoint, that’s bad,” Hosler said. “But from a creative and artistic standpoint, that’s awesome. It’s fantastic. If critics can’t figure out how to talk about the work, maybe it means we actually are doing something a little bit different.”

Internet Archive Receives IMLS Grant to Expand Access to Local and State Government Information

Internet Archive has received funding from the Institute of Museum and Library Services (IMLS) to support the development of ATLAS (Access To Local And State government information), a digital preservation program for state and local government agencies. 

Government information and documentation is an essential part of our shared public record. From local policies and public reports to records documenting the work of government agencies, these materials help communities understand their history and participate in public life. Yet access to this information can vary widely, and valuable digital records can be difficult to preserve, find, and use. 

Through this grant, the Internet Archive will develop ATLAS as a national program focused on supporting preservation efforts, institutional coordination, and access. Over the two-year project period, we will provide training and access to Internet Archive services Archive-It and Vault to 100 government and partner institutions, helping them strengthen their approaches to web archiving and digital preservation. 

This program will also include several new resources for the broader government information community. We will host a collaborative access portal to make government information easier to discover, develop a toolkit with practical resources for organizations working with these records, and host a National Summit on Local Government Information to bring together practitioners, researchers, and technologists interested in preserving and expanding access to the public record.  

Internet Archive will be working closely with the Council of State Archivists (CoSA) to engage with organizations across the country. CoSA is a nonprofit membership organization of the state and territorial government archives in the fifty states, five territories, and District of Columbia. 

Joy Banks, Executive Director of CoSA, shares “The Council of State Archivists is glad to partner with the Internet Archive on this important project. Government archives and records management programs have a responsibility to preserve and make accessible the records that document government. That work often now includes capture and preservation of websites and other digital assets. Through this collaboration, CoSA is glad to be a voice for the profession, building lines of support between state and local practitioners so that they can be better equipped for their essential work.” 

This grant represents an important opportunity to build connections among archives, libraries, government agencies, and communities of practice. We look forward to working with a variety of partners in each state and territory to make government information more accessible. 

Additional details about ATLAS and upcoming opportunities to participate will be shared soon. See our website to learn more or email us at atlasteam@archive.org with any questions.

Keep Our Servers Running: Your Recurring Donation Goes 3X This September

“Universal access to all human knowledge is within our grasp. Our job is to put the best our world has to offer within the reach of our children.”

—Brewster Kahle, Internet Archive Digital Librarian

Every time you search the Wayback Machine or explore a collection at the Internet Archive, you are accessing a global library built to put knowledge within reach of curious learners around the world. 

The mission of “Universal Access to All Knowledge” is a commitment that goes beyond book scanners and web crawlers. It requires servers, storage, power, cooling, and the people who build and maintain our systems. Our infrastructure is the backbone of our digital library.

The Internet Archive has always been completely free for everyone, everywhere. We don’t charge for access, sell user data, or run ads. Rather than contracting out our core technology to corporations, we build and maintain our own systems.

That independence helps us preserve and provide public access to 210 petabytes of knowledge. However, it also means we are responsible for keeping that infrastructure running—and our needs are growing rapidly.

This September, you can help us meet that challenge and make your support go three times as far.

When you start a recurring donation of $25 or more in September, your initial gift will be matched 2:1.

That means your $25 monthly donation unlocks an additional $50 in matching support, resulting in $75 of giving on your behalf. A $50 monthly gift becomes $150. A $100 monthly gift becomes $300.

Recurring gifts provide the dependable support we need to keep our infrastructure running year after year. In fact, the Internet Archive is powered by donations averaging about $25.

When you join the Monthly Giving Circle, you aren’t simply maintaining servers. You ensure that books are readable and websites are accessible. You are preserving the best we have to offer for generations to come.

Join the Internet Archive Monthly Giving Circle this September with a recurring gift of $25 or more, and your initial gift will be tripled through the 2:1 match.