Some movies are declared to be character studies, but Fritz Lang's 1931 feature M strikes me more as a larger-scale societal study. Though individual characters are found throughout the story, M is more concerned with examining how individual large pockets of society react to the prospect of terror occuring in their midst rather than just focusing on how one person reacts to such horrifying circumstances. Specifically, those horrifying circumstances are that someone in the city of Berlin, Germany is kidnapping and killing children. This is a tragedy that sends all of the residents of Berlin, Germany into a frenzy as they try to figure out who exactly could be behind such vicious slayings, with the police officers and the criminal syndicates of this town each having their own agendas in wanting to bring this killer to justice.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label 1931. Show all posts
Showing posts with label 1931. Show all posts
Wednesday, June 13, 2018
Monday, May 22, 2017
Liza Minnelli And Bob Fosse Joins Forces For Thoughtful Musical Fare In Cabaret
The idea of Liza Minelli and the late great Bob Fosse teaming up feels like as natural a pairing as peanut butter and jelly or dogs and cuteness or Donald Trump and racism. EGOT winner Liza Minnelli most certainly knows her way around a musical number while you'd be hard pressed to find individuals in American pop culture from any era more adept at the art of dancing than Mr. Bob Fosse, whose knowledge of how to pull off the most exquisite dance moves seemed to come as naturally to him as breathing air. Such a promising pairing came to pass in the 1972 musical drama Cabaret, which also managed to rope in Michael York into the proceedings.
Friday, September 16, 2016
City Lights Has A Heart As Big As The City It Takes Place In
There's an undeniable sense of wonder that creeps into one's body while watching Charlie Chaplin move around on-screen. He makes the artforms of slapstick and physical comedy seem so natural, like he realizes that this was what he was put on this Earth to do and he's gonna do it as well as he can. The rhythm of his body movements is impeccable, ditto for the timing found in his humorous pratfalls. To watch Charlie Chaplin in a film like City Lights is to see a master at the top of his game and to be astonished that one man can carry such command over his craft.
Subscribe to:
Posts (Atom)


