Good Boys Is A Good Raunchy Comedy

Max (Jacob Tremblay), Lucas (Keith L. Williams) and Thor (Brady Noon) are the best of friends. This trio of sixth-graders, the self-proclaimed Beanbag Boys, do everything together and that includes a super-important party where Max will have a chance to kiss his crush. Problem is, he and his two buddies have no idea how to kiss. Their attempts to learn how to kiss soon involve using a drone that Max's Dad owns to spy on Max's neighbor. From there, a whole series of predicaments unfold for these best buddies involving drugs, crossing a Highway and serious injuries that put them way out of their depth.

Brie Larson's Directorial Debut Unicorn Store Is A Totally Unique Delight

Unicorn Store is all about Kit (Brie Larson), a young artist who is struggling with the whole conventional grown-up routine. Her relationship with her parents, Gladys (Joan Cusack) and Gene (Bradley Whitford), is a bit strained, her art is constantly looked down upon and she feels like she's not living up to what her peers have accomplished. Seeking to correct this, she receives a job making copies of old magazines at a standard advertising agency. It's the kind of normal grown-up job she's typically avoided, but Kit has decided now is the time to put away childish things. At least, that's what she thinks until she gets told by The Salesman (Samuel L. Jackson) that she has the chance to own her very own unicorn.

No Wonder Audiences Have Connected With Wonder, It's A Real Heartfelt Treat

Live-action family movies that don't star CGI chipmunks or aren't remakes of classic animated Disney fare have become a rarity in theatrically released American cinema to the point that Pure Flix (the studio behind God's Not Dead and other pieces of cinema of similar top-caliber quality) is the only studio in America these days regularly producing such films. That makes Wonder a rarity for sure as well as a reminder of how good these movies can be when produced right. Live-action family movies don't just have to be vehicles for CGI versions of 1960's cartoon characters to make pop culture references, they can instead be actually entertaining movies with heart.

Human Beings Helping Other Human Beings Is The Crux Of The Beautiful Short Term 12

I tend to think of myself as a Timely Timothy, but man, I can also be such a procrastinator if I don't keep my innately lazy tendencies in check. Delaying stuff I need to get done has come back to bite me plenty of times, but man, I feel like a real loser for managing to put off watching the 2013 indie drama Short Term 12 for so long. Once I missed this one's theatrical release, it somehow slipped off my radar over the past few years despite constantly hearing quite positive things about it. Well, I managed to rent it from the library a while back and finally finally finally watched it and oh my God, I am filled with an incredible amount of regret in regards to not watching this movie much sooner than I did.

Leonardo DiCaprio Seizes The Box Office Again Amidst Snowy Weather And Raunchy Robert DeNiro Antics

A big o'l snowstorm left much of the country in a winter wonderland (meanwhile, down here in Texas, we're getting a high of sixty degrees today), closing many businesses, including movie theaters. It's hard to say how much this impacted the box office, though many holdovers like Ride Along 2 and The Revenant had sharper than expected declines that could be attributed to the inclement weather.

Room Review

Note: Normally, my reviews are as spoiler-free as possible. However, for this review, I will be discussing plot points from later portions of the film that could be described as spoilers in the conventional sense, though the plot turns are revealed in the trailer for the film. Don't worry, I don't go into excruciating detail on such elements of the story, but this is one film where going into it cold might be the best option. Just know that I found Room to be great if you don't want to read my super mildly spoilery review.

Room proves to be a far more harrowing experience than the majority of modern day horror films, simply by having its entire premise hinge on a situation that all too tragically occurs in reality. The fact that its entire concept stems from a more pragmatic source already adds a disturbing undercurrent to its diegesis. Such a connotation would likely bend and crack underneath the weight of poorly developed characters, but luckily, Room goes through great and commendable strides to ensure that its two lead characters are the most engrossing parts of the entire production.

Goosebumps Sends Shivers Across The Box Office. Also; Crimson Peak? More Like Crimson Meek (Box Office)

Goosebumps was numero uno at the box office this weekend, grossing a decent $23.5 million in its opening weekend. That's a solid number for the book adaptation, though putting it below the opening weekends of other movies of its ilk (Ender's Game opened to $27 million for instance and this opening was about on the same level as the $23.2 million debut of Eragon from ten years ago). This one should perform well over the next two weeks considering how well timed it is to Halloween, though The Peanuts Movie will likely demolish it in its fourth weekend.